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Showing posts with the label Winsom Pinnock

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A night at the opera: That Bastard Puccini! (Park Theatre)

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It’s hard to imagine that it’s only been 130 years since Puccini first premiered La Boheme. Nowadays, it’s a revered classic, and guaranteed to be on any opera company's annual programme if it needs to stay afloat. It’s a crowd pleaser with its melodrama of poor, impoverished artists loving, starving and dying in Paris. But Puccini’s La Boheme had a less auspicious beginning, with one of his contemporaries accusing him of stealing his idea and being poorly received on its first outing. And that’s at the heart of That Bastard Puccini! Currently playing at Park Theatre , writer James Inverne uses the friendship and rivalry between the two composers, Puccini and Ruggero Leoncavallo, to weave a comic tale of creative frustration with an awful lot of facts and tidbits about the opera scene at the time. It’s part comedy, part music appreciation.  It opens with Leoncavallo (Alasdair Buchan) at home with his wife Berthe (Lisa-Anne Wood), cursing about Puccini’s latest work, which is drawn ...
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Mind the gap: One Under @arcolatheatre

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Winsome Pinnock’s play, One Under revisits the aftermath of a young black man’s suicide on the London Underground. The pieces of his life are recreated in search of meaning. It’s a fascinating (albeit slowly paced) tale about a life not lived. Produced by Graeae, which specialises in placing deaf and disabled artists on stage alongside Theatre Royal Plymouth, it’s been on tour before settling in for a short run at the Arcola Theatre . He’s Sonny by name and by nature. But something isn’t quite right. He thinks people follow him and watch him. He has lots of money too. Is he paranoid, or are there darker forces at play? After his death, the tube driver of the train that killed him, Cyrus (Stanley J Browne), goes on a mission to find sense out the senseless loss of life. Befriending his adopted mother and tracking down he is girlfriend at a laundrette, his determination to make sense of it all starts to become an obsession itself. The play underscores that despite appearances, ...
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