Paul in London

By his own admission, it took about 30 years to bring this song collection to the stage, but Don Black’s From the Heart has been worth the wait. With a vibe designed to evoke a New York cabaret venue, albeit on a slightly grander scale, the piece showcases Black’s ingenuity in creating deceptively simple lyrics, along with his love of music and comedy. It’s running for a limited time at the Garrick Theatre .  The premise is simple: to capture the feel of New York’s cabaret venues. A series of songs, mostly new ones written for the show, run through a variety of moods. With each song running a little more than three minutes, the show moves briskly. Each offers a chance to appreciate Black’s economical lyrics, flashes of deadpan comedy, and occasional inspired choices, such as rhyming sex with the (artist) Lautrec.  A classy ensemble also brings these songs (and the stories they tell) to life. Clive Rowe delivers the first laughs with a song about doctors. The song is simpl...

Regents Park and the spaces around Regents Park Open Air Theatre transform into a magical world full of Rodgers and Hammerstein music in the latest episode of the Theatre Channel . Audition waiting rooms. Picnics in the park. Even the pond geese feature in this reinterpretation of the classic songs from the Rodgers and Hammerstein songbook. Theatres are still playing to half capacity since being an afterthought in the great unlock down. And so, the Theatre Channel’s episodes continue to serve as a reminder about what we’re missing. This time around, it’s singing and dancing in the park. Without the garbage or hordes of people mulling about.  Performances in and around the park taking a fresh look at the Rodgers and Hammerstein songbook include Michael Xavier performing Climb Every Mountain/You’ll Never Walk Alone’ from The Sound of Music and Carousel on an empty stage. Josefina Gabrielle in an alfresco take on The Gentleman Is a Dope’ from Allegro. And Caroline Sheen turning Whistl...

Finally caught Assassins at the Menier Chocolate Factory. This dark and grim piece of musical theatre is re imagined as a funfair where the cast of would-be and actual assassins of US Presidents tell their stories like a bunch of grim clowns. But it comes across heavy handed and lacking much irony. Staging a musical with this subject matter is always going to be a challenge, but both the material and the production don't really dig too much into the obsessive gun culture that is part of the country's DNA. Compared to The Scottsboro Boys , another musical based on an unpleasant subject, there is none of the bitterness or outrage presented ironically as a song and dance musical.