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Showing posts from July, 2009

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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Hot news this week in London

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Don't mess with my tutu , originally uploaded by ian_fromblighty . Flickr user captures Katie Price in Selfridges in a tutu... To publish some book... Nice Aussiebums though...

Brüno in tube

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Posted via email from paulinlondon's posterous

Hot news this week in London

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DOG POO MISERY , originally uploaded by the_moog . It isn't just the swine flu... There is dog poo too...

Opera Opera (and more) Opera

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It has been a a summer of opera for me. And a very enjoyable one as well. After catching Renée Flemming in La Traviata earlier in the season, I caught the opening night performance of The Barber of Seville. This production has to be a highlight of the year and one of the best productions I have seen. While Joyce DiDonato's fall in the first act gathered the headlines, what really was sensational about this production was how great the cast was. Particularly DiDonato, Pietro Spagnoli and of course, Juan Diego Flórez as the Count. Flórez in the final fifteen minutes of the opera was simply amazing, even more so after reading DiDonato's account on her blog , where he was holding her up... Literally. After his final aria, the audience couldn't stop cheering, stamping, hollering (you name it). It is moments like this that you remember why you go to the opera. The other moment of high drama in this opera was when DiDonato fell in the first act. I thought it was those chunky s

Overheard at the gym Friday night...

Man #1: So we could have salad for dinner... Man #2: Yeah like lettuce? Man #1: Yeah like lettuce... Lettuce and... Chicken...

Scenes from One and Other Trafalgar Square Thursday

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The house dress as art. Discuss. See and download the full gallery on posterous (although trust me, it isn't worth it) Posted via email from paulinlondon's posterous

Theatre: Forbidden Broadway

Initial impressions of Forbidden Broadway which is currently in preview but opens later this week at the Menier Chocolate Factory Listen! It has been a while since I have been to the theatre and blogged about it. Sure I could have written about Frances Ruffelle's cabaret show at Madame Jo Jos saying it was good but after a long day rehearsing with the London Gay Men's Chorus , I wanted something funnier. I could have also written about opening night of La Traviata with Renée Fleming which was also fantastic (overlooking the first act and the over-egged production). But it was the sheer cheap laughs and silliness of Forbidden Broadway that is worth a blog update. While it was a little short side, there were enough fresh barbs at the London theatre scene including Elaine Paige, the West End Whingers , audience members, and even Susan Boyle , along with with material previously performed from the off-Broadway review to keep everyone entertained. Well maybe everyone who is a lit