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A night at the opera: That Bastard Puccini! (Park Theatre)

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It’s hard to imagine that it’s only been 130 years since Puccini first premiered La Boheme. Nowadays, it’s a revered classic, and guaranteed to be on any opera company's annual programme if it needs to stay afloat. It’s a crowd pleaser with its melodrama of poor, impoverished artists loving, starving and dying in Paris. But Puccini’s La Boheme had a less auspicious beginning, with one of his contemporaries accusing him of stealing his idea and being poorly received on its first outing. And that’s at the heart of That Bastard Puccini! Currently playing at Park Theatre , writer James Inverne uses the friendship and rivalry between the two composers, Puccini and Ruggero Leoncavallo, to weave a comic tale of creative frustration with an awful lot of facts and tidbits about the opera scene at the time. It’s part comedy, part music appreciation.  It opens with Leoncavallo (Alasdair Buchan) at home with his wife Berthe (Lisa-Anne Wood), cursing about Puccini’s latest work, which is drawn ...

Ruthless People: Ruthless - Arches Lane Theatre

Production photo

What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea.

Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in The New York TimesTypically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering pizza from the venue next door in Battersea. We’re meant to judge her for what she didn’t do, but I couldn’t get past the wig and the pizza. 


The Madoffs have had several treatments of their lifestyle over the years. There was Cate Blanchett in Blue Jasmine (directed by Woody Allen) and various other productions that borrow from some aspects of the tale. But none feel like they capture the story of rags to riches and back to rags. 

For a one-person show, the decision to add additional voices and walk-on roles doesn’t add a great deal to the proceedings. It would have been more fun (and more dramatically rewarding) to have the conversations remain in Ruth’s head.

The play asks the question, how well do you know your partner? Or your family or friends? But perhaps the real question is when you can be sure of making the right decision. Even one taken many years ago when you were younger. Ruth married Bernie Madoff when she was 18 and was with him regardless of how many infidelities or frauds he may have committed. Living without regrets is one thing, but living with poor choices is another. And given the real-life Ruth Madoff purportedly has to report any expenditure over $100 to ensure she has no hidden accounts. Given the cost of living in America, that would be a fascinating monologue. 

Written and directed by Roger Steinmann, Ruthless plays at Arches Lane Theatre until 29 June. 

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Production photos by Roger Steinmann

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