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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Ruthless People: Ruthless - Arches Lane Theatre

Production photo

What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea.

Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in The New York TimesTypically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering pizza from the venue next door in Battersea. We’re meant to judge her for what she didn’t do, but I couldn’t get past the wig and the pizza. 


The Madoffs have had several treatments of their lifestyle over the years. There was Cate Blanchett in Blue Jasmine (directed by Woody Allen) and various other productions that borrow from some aspects of the tale. But none feel like they capture the story of rags to riches and back to rags. 

For a one-person show, the decision to add additional voices and walk-on roles doesn’t add a great deal to the proceedings. It would have been more fun (and more dramatically rewarding) to have the conversations remain in Ruth’s head.

The play asks the question, how well do you know your partner? Or your family or friends? But perhaps the real question is when you can be sure of making the right decision. Even one taken many years ago when you were younger. Ruth married Bernie Madoff when she was 18 and was with him regardless of how many infidelities or frauds he may have committed. Living without regrets is one thing, but living with poor choices is another. And given the real-life Ruth Madoff purportedly has to report any expenditure over $100 to ensure she has no hidden accounts. Given the cost of living in America, that would be a fascinating monologue. 

Written and directed by Roger Steinmann, Ruthless plays at Arches Lane Theatre until 29 June. 

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Production photos by Roger Steinmann

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