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Showing posts with the label Marc Pickering

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A little less conversation: After Sex @Arcolatheatre

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According to research, millennials in rich countries are having sex less these days. But they were prepared to talk more about it. So, it is no surprise to see a story about what happens when a series of no-strings-attached encounters start to become attachments. And the conversations arising from it. Such is the premise of After Sex, Siofra Dromgoole’s two-hander of the conversations afterwards. It’s not particularly sexy or erotic, and the snappy pacing and short scenes sometimes make you wish they stayed longer to finish the conversation. Nevertheless, it is still a funny and, at times, bittersweet picture of single lives in the big city. It’s currently playing at the Arcola Theatre .  He is bi and works for her in an office job. She is neither ready for a commitment nor to let the office know what’s happening. He isn’t prepared to tell his mum there’s someone special in his life. He doesn’t speak to his dad, so his mum is his world. It’s a perfect relationship/arrangement. Or so it

It's a kind of magic: The Sorcerer's Apprentice @tsamusical

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  The story of the Sorcerer's Apprentice is updated to modern tastes in this funny and engaging new family musical. Here a father and his rebellious daughter discover their magic and save their town from a bunch of brooms while making a few observations about parenting, science and the environment.  Filmed at the Southwark Playhouse in February, it's also a reminder about what we're still missing from live theatre. While it's great to see a new show streamed online, you also have to let your imagination remind you where there would be applause and laughter from this energetic and thoughtful production. Hopefully, we will get the chance to see this show live someday.  Written by Richard Hough and Ben Morales Frost, the story takes place in a small northern town called Midgard. It's on the brink of environmental destruction due to the endless search for prosperity. Eva, played by Mary Moore (making her professional stage/streaming debut), is a school dropout. But she

The cat mashes the hat: Seussical @SWKplay

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Seussical is a mash-up of Dr Seuss stories i nto a musical extravaganza that’s short in length and long on spectacle. It’s 75 minutes of flair, dazzle and fun songs. Perfect for little people, or people with little attention spans. It’s currently playing at the Southwark Playhouse . It’s a condensed version of the musical by Stephen Flaherty and Lynn Ahrens and based on the stories of Dr Seuss. Trimmed from it’s bloated original form, it allows the show with it’s catchy broadway songs to be fun without being too dull or sentimental. This version focuses on the stories Horton Hears a Who and Horton Sits on the Egg. Both of these stories focus on a well-meaning elephant who gets more than he bargained for by the other animals in the jungle. And there’s a girl who gets the “thinks” too much for her own good. The cat in the hat acts as the mischief-making ringmaster. Here he’s played by the mischievously entertaining Marc Pickering. With his deadpan expressions, he only has to look aroun

Ripe and appealing: Bananaman @Swkplay

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What’s striking about Bananaman is how the cast are determined to make sure you’ll have a good time with this incredibly silly yet appealing show. No joke is too old or no sight gag is overlooked. It’s currently playing at the Southwark Playhouse . Along the way they also sing a few good tunes in this new musical by Leon Paris. You’re likely to leave the theatre humming the song Bananaman on your way home. Possibly because it is sung so many times.

Smooth operator: How To Succeed in Business Without Really Trying @wiltonsmusichall

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It feels a little like a high school musical with its clunky sets and actors cast in roles too old for them. But I still found How To Succeed in Business Without Really Trying at  Wiltons Music Hall  a lot of fun. Part of its fun is the memorable performance by Marc Pickerin g as the ambitious young executive. Here you get the impression he is relying less on boyish charm and more on being sly and cunning to get ahead. Given the space of Wiltons he can look you in the eye and let you know he is out to get what he wants.  He also gives the classic songs in the show a fresh interpretation that feels as if they should be on an album.