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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

The wipers times: Windows @Finborough

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Windows is yet another rediscovery of a play that resonates with the issues of today. It’s set in the period after the First World War, but the issues it tackles seem familiar. Class, rehabilitation and liberal minded values are put to the test. Politicians are despised for their incompetence and the changing economy makes it hard to find help at the right price. Written by John Galsworthy, better known for The Forsyte Sage, it’s currently playing at the Finborough Theatre . And it’s having the first professional UK production in 85 years. We’re introduced to the March family, who are living in Highgate. Geoffrey March (David Shelley) is a successful writer of novels. His son Johnny (Duncan Moore) is still suffering the effects of three years in the trenches. But they are in desperate need of a woman to help clear the table. Surely in Highgate they could not be expected to do that for themselves?