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Bear with me: Stitches @TheHopeTheatre

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What if your teddy bear could talk? My ten-year-old self would think that to be excellent. My more recent self would think it was a high-concept buddy movie with Mark Wahlberg. But in Stictches, Jonathan Blakeley's monologue, which he has written and performed, traces the life of his beloved Chloe, from when she was first given to him by her grandmother, wrapped with a red ribbon. It becomes a story not just about a cute bear (or maybe that should be rough, shaggy-looking bear given the performer’s appearance) observing life but an exploration of life and all of its stages. It's currently playing at the Hope Theatre .  The bear is not warm and fuzzy; he is a bit of a character and tough-talking, but also a bit anxious about being accepted and then discarded as nothing. But he is there to bear witness as she navigates the complicated facets of growing up and having a life. Ultimately, the bear has to deal with being consigned to a box with her other memories until circumstances

Under the skin: Bug @found111ldn

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A claustrophobic location and terrific performances makes Bug, Tracy Lett's thriller of conspiracy and loss, a must-see theatrical event. James Norton and Kate Fleetwood act in your laps as two troubled souls stuck in an Oklahoma motel. Found 111 is on the site of the former Central Saint Martins School on Charing Cross Road. It is one of the less glamorous West End theatrical locations, but it has to be one of the most memorable. You walk up a series of stairs surrounded by a lift well (the lift doesn't work by the way so you do have to take the stars), and then find yourself in what looks like part of a cheap motel. There is an unmade bed in the centre and a side board for coffee making facilities. It is an incredible simple yet evocative design by Ben Stones . Desperation fills the air even before the show starts, but that may be because people are in search of the best seat in the house. The audience surrounds all this in what has to be a new trend in voyeur