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Showing posts from September, 2022

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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the
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Romance and other theatrics: Love all @JSTheatre

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As part of its Temptation Season, Jermyn Street Theatre serves up a civilised and biting farce with Love All. Full of incisive observations about the roles and expectations for women at the time while managing to be a fun and silly romp spanning Venice and London, it is a both a guilty pleasure and a lost gem currently playing at the Jermyn Street Theatre .  Written by Dorothy L Sayers, better known for her detective novels, there is an obsessive attention to detail in the piece. You could miss something crucial to the plot or a laugh later on if you're not paying attention.  The premise is that Lydia Hillington (Emily Barber), a famous London stage actress, has given up the stage to elope with a famous novelist Godfrey Daybrook (Alan Cox). But after eighteen months of living in a hotel on the Grand Canal, all is not well. A chance meeting with a producer inspires her to escape to London to audition for a role an exciting new playwright is casting (Leah Whitaker). Meanwhile, Daybro
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Swimming upstream: Hero & Leander, Or, I Love You, But Everything's Underwater @southbankcentre

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Jack Dean & Company landed at the Southbank Centre's Purcell Room for one day with their gig-theatre retelling of the Greek myth Hero & Leander. Songs that mix folk, country, electronica and the odd sea shanty tell the story of the tragedy of Hero and Leander.  In this version of the tale, Hero and Leander are from two towns but meet at a dance and continue to see each other. But their towns are separated by a narrow strait, and when the ships stop sailing between the towns due to a conflict, Leander swims across the strait to meet Hero, guided by the light of the lighthouse where she lives. And being a tragedy, this doesn't end well.   The staging is simple, with just the musicians on stage. Jack Dean and Siân Keen are engaging as the ill-fated lovers and various other characters in the story. It's incredibly inventive and evocative with its fusion of musical styles and sensibilities.  The storytelling is brisk and sometimes feels like it could benefit from expans
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