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Grief and fluff: Tiger @OmnibusTheatre

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Death is something we all will face. After all, nobody gets out of here alive. But how do you get past it when grief is all you can feel? And this is the premise of Tiger, currently playing at Omnibus Theatre . It's a fascinating exploration of the stages of grief. And with a terrific cast to take you on this journey, it's an endearing and sweet story that has you engaged from the start, wondering what will happen next.  We are introduced to Alice (Poppy Allen-Quarmby) as she gives a stand-up routine. It's not particularly funny and starts to veer into the topic of dying. Something isn't right. She used to be good at this but can't move forward. Soon, she is back in her London apartment with her partner Oli (Luke Nunn), discussing that they need to get a lodger to make ends meet.  Oli is a doctor working night shifts at the local NHS hospital. Alice is not ready to face a return to stand up or anything. So when the first potential lodger arrives (Meg Lewis), looking

Hull on earth: Starved @TheHopeTheatre

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It’s a game of survival of the fittest in Starved. A desperate world set in a bedsit on a rough estate in Hull in northern England. Two characters circle each other like wild animals as their circumstances and choices strip them of their dignity. And any creature comforts. It’s a short and provocative piece that’s currently at The Hope Theatre in Islington. Money may not be able to buy you happiness, but it gives you options. Here the two young characters, Lad and Lass, have nothing. They’re on the run and hiding out, having dropped out of society. But they’re running out of luck too, trying to get by living on a diet of cup-a-soups and whatever they can steal. Writer Michael Black (who also plays Lad) lures you into moments of comedy before quickly shifting gear into much darker territory.  Imprisoned by their circumstances, they retreat into a world of hunger, scraps, sexual favours and addiction until they hit the point of no return. But it’s such a natural progression that

Love abridged: Uncle Vanya @Thehopetheatre

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Production company Tales Retold , which aims to take a new look at old classics distils the essence and passion of Chekhov's Uncle Vanya into a brisk 90-minute observation on family dysfunctions. And the disputes for money, love and survival in the Russian countryside with too much sun and vodka at hand don't seem too foreign to similar skirmishes nowadays either. It's currently playing at the Hope Theatre . Professor Serebryakov (Rory McCallum) and his young and beautiful second wife Yelena (Esme Mahoney) have come to the country estate run by Uncle Vanya (Adrian Wheeler) and his plain daughter from his first marriage, Sonya (Cassandra Hodges). Their arrival has upset the delicate balance of life at the property with their late nights and random walks. But Uncle Vanya is regretting his life, particularly since he had met Yelena ten years before and never asked her to marry her. And he doesn't think much of the professor. There's a doctor, Astrov (DK Ugonna) who

Alone in this world: Jericho’s Rose @thehopetheatre

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A loss of identity and being between two worlds lies at the heart of Jericho’s Rose. It’s Lilac Yosiphon’s account of a theatre maker who is trying to stay in the United Kingdom. Meanwhile her grandfather is in Tel Aviv suffering from Alzheimer’s. It’s currently playing at The Hope Theatre. The last time I was at The Hope Theatre it was to catch the excellent Cockamamy , about an absent-minded Spam-hoarding grandmother. This time around it’s about a grandfather trying to remember who he was. It’s as if the venue is becoming the Dementia Theatre. But this tale is also more abstract. Live music by Sam Elwin, sound loops and evocative projections weave a tale of confusion and isolation. Music, movement and background projections by Will Monk underscore the unsettling environment. For both grandfather and granddaughter. Both are struggling to find a place in the world. Both are in a state of flux. This is a minimalist piece. Part of it’s intent is to repeat in trying to remember the past

Lovely spam: Cockamamy @TheHopeTheatre

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Alice is starting to get a bit absent minded. She left the can of spam in the sofa. And she forgot that her daughter is dead. But when do these little things start to become the onset of dementia rather than just being part of old age? Afterall, who hasn’t forgot they already had a few cans of spam in the cupboard when they go shopping? It’s all part of Cockamamy, which is currently running at The Hope Theatre . Part of the charm of this piece is that even as things become bleak, there is humour found in the everyday situations. And dementia can be funny while nobody is getting hurt. Alice (Mary Rutherford) says what she thinks. She has a pizza a 5am when she’s hungry. She tells her granddaughter she landed on her feet dating a doctor,  while pouring him a big glass of wine.  Her granddaughter Rosie (Louise Coulthard, who also wrote the piece) feels obliged to look after her. She gets a cleaner in to help and she gets an alarm hooked up. But as she wants to get on with her life she fin