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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Love abridged: Uncle Vanya @Thehopetheatre

Production company Tales Retold, which aims to take a new look at old classics distils the essence and passion of Chekhov's Uncle Vanya into a brisk 90-minute observation on family dysfunctions. And the disputes for money, love and survival in the Russian countryside with too much sun and vodka at hand don't seem too foreign to similar skirmishes nowadays either. It's currently playing at the Hope Theatre.

Professor Serebryakov (Rory McCallum) and his young and beautiful second wife Yelena (Esme Mahoney) have come to the country estate run by Uncle Vanya (Adrian Wheeler) and his plain daughter from his first marriage, Sonya (Cassandra Hodges). Their arrival has upset the delicate balance of life at the property with their late nights and random walks. But Uncle Vanya is regretting his life, particularly since he had met Yelena ten years before and never asked her to marry her. And he doesn't think much of the professor. There's a doctor, Astrov (DK Ugonna) who is visiting the forests nearby who Sonya wonders if his love for preserving them isn't the only reason for coming to the estate day in and day out.

Even in its abridged form, this is a finely detailed study, with an ensemble that keeps the tension and passion of the piece. Sure you'll have to listen intently as character motivations are delivered in single sentences, but the desire and regret are still there. The small space of the Hope Theatre is transformed into a finely detailed room for all the disappointments and opportunities to play out.

Directed by James Stone from an adaptation by Brendan Murray, Uncle Vanya is at the Hope Theatre until 11 May.

⭐️⭐️⭐️⭐️



Photos by Carmeron Harle

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