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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the
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Tight spots: Lardo @ORLTheatre

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It is not often you get to go to the theatre and get an eyeful of spit, blood and tight-fitting Lycra. But this is the case in Lardo, now playing at The Old Red Lion theatre . It’s a descent into the subculture of Scottish wrestling, its characters and violence. It is also an immersive experience. Entering the Old Red Lion theatre is like entering into the world of insane wrestling. The performance space is a wrestling ring, the Scottish flag and walls smeared with muck and graffiti.   There are real stunts and some pretty nifty moves. Audience participation is a given. You will find yourself shouting and booing (whether you really wanted to or not). And even when the play feels like it is losing momentum there is always the next wrestling match that will save it. 
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