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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Topical Manhandling: Red Velvet @BranaghTheatre

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Red Velvet tells the story of Ira Aldridge , a black actor who plays Othello at the Theatre Royal Covent Garden in 1833. It's fascinating to watch Adrian Lester , playing a man playing Othello. And it's evocative seeing the drama unfold in a theatre close to the period that it adds to the drama. The piece is set at the Theatre Royal Covent Garden in 1833. Edmund Kean, the greatest actor of his generation, collapses on stage while playing Othello. As a result of too much hard living. His son who is playing Iago expects to step up into the role. But impresario Pierre Laporte gives the role to Aldridge, who had been touring in London.