Showing posts from March, 2022

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Eternal guilt: Dorian The Musical @SWKplay

Dorian is a new musical that updates Oscar Wilde’s gothic novel from the uptight Victorian era to an undetermined period of gender fluidity and glam rock. On paper, musicalising the Picture of Dorian Gray to a period of glam rock, social media, and cheap shoes seems like a good idea. After all, Oscar Wilde’s gothic story is very adaptable. It has been the source of countless adaptations for the stage, television or movies. I was half expecting a trashy Dorian, similar to the early 1980s telemovie that shifted Dorian’s gender to a woman. This version falls into a so bad it’s good category with Anthony Perkins in a lead role, who as he ages under makeup starts to look like Andy Warhol.  And while it’s great to see a new show, a strong cast can’t compensate for such an earnest production with underpowered songs. There’s no sense of fun, and some curious staging and costume choices  -mismatched dresses, crocodile boots and furry suits - serve as a distraction. It’s currently playing at th

Pretend it’s a good life: The Marriage of Alice B Toklas by Gertrude Stein @JSTheatre

It’s tempting to write about The Marriage of Alice B Toklas by Gertrude Stein, which is actually by Edward Einhorn since the former is the title of the play, pretending to be Edward Einhorn who is pretending to be Gertrude Stein. Therefore, I would have to pretend to be Einhorn pretending to be Stein pretending not to be a theatre writer covering the proceedings. But in the interests of clarity and sanity. I won’t be pretending anything further. Except to pretend I was familiar with the works of Stein, which also after seeing this piece, I feel I don’t have to pretend as much.  The novelty of this play, where everything is in the style of Stein, will either amuse or irritate, probably depending on how familiar you are with the works of Stein or willing to embrace them. And the basic facts of their lives are there. However, within the circular dialogue, a story emerges of a woman in the shadows of a genius. It’s making its covid delayed premiere at the Jermyn Street Theatre .  The short

Will you still love me tomorrow: The Woods @swkplay

In The Woods, conversations drift into seemingly random discussions about seagulls, raccoons, or aliens. Perhaps it's due to the isolation from being set in a remote cabin. But it's also a heterosexual play, so that means there's a man, woman and inevitable conflict. But even if there aren't any surprises in this revival of David Mamet's 1977 work, the performances and the staging keep you focussed on it like you're a voyeur in the proceedings. It's currently playing at the Southwark Playhouse.  The Woods is set entirely at a secluded cabin on the porch of a summer house. It's early September, and Nick seems to have been keen on taking things to the next level with Ruth. Ruth seems keen too since she took the trouble to buy a gift for Nick. But slowly, from Dusk through the night, things begin to unravel. Things that are banal and trivial become blown out of proportion. Sex becomes complicated, and ultimately there's an outburst that takes everything

Previews on Power: Truth to Power Cafe

Truth To Power Cafe is a part digital and live performance event that’s coming to Huddersfield and South Norwood in London later this month. Using memories, poetry, images and music, it takes stories from local people at each location, asking the question who has power over you and what do you want to say to them?’ Be it parents, leaders or a bossy partner. It’s a chance to tell them the truth for once. The concept is a means of conflict resolution and a way of saying something to those in a position of trust or authority who may not want to hear it. Created by Jeremy Goldstein, his experiences frame the start of each performance. He uses poetry, music and performance to talk about his struggles with his father before he invites others to come forward and share their experiences.  Truth to Power Cafe is written and performed by Jeremy Goldstein with Henry Woolf. The event has completed a run as part of Rotherham’s Children’s Capital of Culture Launch. It heads to Lawrence Batley Theatr