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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Unfinished business: Continuity @Finborough @Continuityplay

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  It's an odd feeling to laughing along with man about plant a bomb... But such is the world you're drawn into with Gerry Moynihan's Continuity, currently at the Finborough Theatre . What's chilling about this this monologue is how it hooks you in to the story . Here the cause is taken as a given. Unquestioned, unflinching and ongoing... The Good Friday Agreement is the thin veneer of peace that conceals what's really happening on the ground. The ongoing rough justice, score settling and resistance that is largely unreported. The story involves Padraig (Paul Kennedy), a member of the Continuity IRA. He is dedicated to the cause. But after meeting a girl from Barcelona, he soon finds his colleagues questioning him  about his commitment. And he begins to wonder about it himself.