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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

The brown word: The Spoils @TrafStudios

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Bromance is in the air in with The Spoils, Jesse Eisenberg’s funny new play now at Trafalgar Studios. Women and relationships feature throughout the piece. But the real relationship at the heart of this piece is between obnoxious New Yorker Ben, and his flatmate Kalyan, a hard-working immigrant student from Nepal. Eisenberg is making his West End debut as a writer and star of his show which has transferred from New York. As Ben, he is a tightly wound guy full of tics and mannerisms as he rages against everyone and everything. He does not really have a job and lives in a flat his father bought him. It’s a mostly unappealing character but Eisenberg gives him enough of the best lines and occasional vulnerabilities to make you feel a bit sympathetic towards him.