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The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a

Some old goose: Mother Goose @wiltonmusichall

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A terrific cast, a fun story and the fabulous atmosphere of Wiltons Music Hall make Mother Goose a panto not to miss this season. Well, if you like that sort of thing... Roy Hudd writes and stars as the Pantomime Dame Mother Goose. She is an old woman who befriends a rather large and lonely goose. In return the goose gives her riches beyond her wildest dreams. Naturally being a poor old woman of meagre means it goes to her head. She sells her soul and her goose and ends up looking as it she should be in The Only Way Is Essex. It is an odd story for a pantomime, but it's clear that Hudd and his wife, director Debbie Flitcroft, know the essence of good panto. There is a battle between good and evil, spectacular costumes, audience participation. Not to mention a mix of songs and some pretty hoary jokes and ad-libs.