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Eternal guilt: Dorian The Musical @SWKplay

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Dorian is a new musical that updates Oscar Wilde’s gothic novel from the uptight Victorian era to an undetermined period of gender fluidity and glam rock. On paper, musicalising the Picture of Dorian Gray to a period of glam rock, social media, and cheap shoes seems like a good idea. After all, Oscar Wilde’s gothic story is very adaptable. It has been the source of countless adaptations for the stage, television or movies. I was half expecting a trashy Dorian, similar to the early 1980s telemovie that shifted Dorian’s gender to a woman. This version falls into a so bad it’s good category with Anthony Perkins in a lead role, who as he ages under makeup starts to look like Andy Warhol.  And while it’s great to see a new show, a strong cast can’t compensate for such an earnest production with underpowered songs. There’s no sense of fun, and some curious staging and costume choices  -mismatched dresses, crocodile boots and furry suits - serve as a distraction. It’s currently playing at th

Someone to watch over me: Dangerous Lenses #dangerouslensesplay @VaultFestival

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As I am writing up my thoughts on Dangerous Lenses I can see the neighbours opposite have switched on their lights. They look like they're getting ready to head out. And the people below them are setting the table for dinner. Perhaps the life of a blogger and the recluse at the centre of this piece are converging. The premise is that Ann (Grace Chilton) who lives alone is watching the lives of her neighbours as hers goes by. But when a new tenant and his daughter move in. And the tenant says she has no daughter. Ann starts to obsess about what she saw and didn't see. Written by Brooke Robinson and directed by Melissa Dunne, this monologue is a great exploration of loneliness and obsession in the city. Chilton is great (and a little creepy) as the lonely people-watcher. It's enough to make you reflect on all the times you've made assumptions or watched others. Assuming you've done that sort of thing. Papercut Theatre , presented Just To Get Married at the

Fear and loathing in London: Grotty @BunkerTheatreUK

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Daring to go where no other Lesbian comedy drama does, Grotty takes you to the underworld of the London lesbian scene. No subculture is left unturned and no mind game is left unplayed. It’s weird, creepy and funny. And currently playing at The Bunker . Written and performed by Izzy Tennyson, she introduces you to the world of London lesbian scene. It’s a scene that takes place in “a couple of little sad old basements that drip with sweat and piss.” At this point it’s tempting to scour your surrounding just to reassure yourself this basement theatre is not one of them. It’s lovely and worth a visit for it’s provocative stories. Including this one. Tennyson plays Rigby, a young girl with two girlfriends. One named Toad (Rebekah Hinds) who likes lesbian bingo and curry. The other’s named Witch (Grace Chilton) who is a tattooist and likes putting Rigby in a dog collar. Both have very nice flats and strange proclivities that Rigby indulges for reasons that aren’t always clear. Rigby is a cl