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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Incestual manoeuvres: Fool For Love @Found111ldn

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  There are various things you can take from Fool For Love playing at Found111 . There isn’t much of a plot. It is more a series of sparring rounds that serve as a star vehicle for great performances. But you walk away thinking how love fades, horse floats burn well and incest is rife. It’s random in a way but enough to thrill and amuse. The couple in focus are Eddie ( Adam Rothenberg ) and May ( Lydia Wilson ). They take pot shots at each other and then kiss and make up. Along the way there is a mysterious old man (Joe McGann) and a new suitor Martin (Luke Neal). Sam Shepard wrote this piece between love affairs. He covers how two people can simultaneously love and loathe each other. But past injustices give way to more secrets and lies that suggest that old wounds don’t heal. They just get ripped open again and again.