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Showing posts with the label Maite Jáuregui

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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

Night and day: The Reality @CervantesTheatr

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What's real and what's imagined seem to be at the heart of The Reality. A new piece of writing by Denise Despeyroux and translated by Sarah Maitland. It's currently playing at the Cervantes Theatre . Told over a series of video chats, one sister is dying, and the other has to become more like her. Or is that what's happening? Is there a good sister and a darker sister? One sister who loves life and the other despair. As the sisters converse, it becomes less clear what really is happening and what are the games being played here. Maite Jáuregui holds your attention throughout, with her energetic performance as the darker sister. Full of rage and anger. Walking into the theatre, she is repeatedly chanting. It was quite an achievement as she had to do it for an extra five minutes due to latecomers. But the pre-recorded video of her alternate sister feels more like a gimmick and is often a distraction instead of supporting the drama and themes of the piece. Never

Keeping up appearances: The House of Bernarda Alba @SpanishTheatreC

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You’re never in doubt with this production of The House of Bernarda Alba that the heat and the attitudes are oppressive in this small Spanish town. A thin veneer of respectability and status barely conceals the urges and desires lurking beneath. And women, as second class citizens have only gossip, traditions and the church to cling to. This passionate, topical and emotional production is currently playing at the Cervantes Theatre  near Southwark, in both English and Spanish.