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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...
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Love abridged: Uncle Vanya @Thehopetheatre

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Production company Tales Retold , which aims to take a new look at old classics distils the essence and passion of Chekhov's Uncle Vanya into a brisk 90-minute observation on family dysfunctions. And the disputes for money, love and survival in the Russian countryside with too much sun and vodka at hand don't seem too foreign to similar skirmishes nowadays either. It's currently playing at the Hope Theatre . Professor Serebryakov (Rory McCallum) and his young and beautiful second wife Yelena (Esme Mahoney) have come to the country estate run by Uncle Vanya (Adrian Wheeler) and his plain daughter from his first marriage, Sonya (Cassandra Hodges). Their arrival has upset the delicate balance of life at the property with their late nights and random walks. But Uncle Vanya is regretting his life, particularly since he had met Yelena ten years before and never asked her to marry her. And he doesn't think much of the professor. There's a doctor, Astrov (DK Ugonna) who...
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Love and war: Creditors @JSTheatre

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Walking into Jermyn Street Theatre to see the new translation of Strindberg's Creditors feels like you're transported to a small seaside hotel in the late 1800s. The sounds, look and feel, takes you there on some unknown Nordic island where the action takes place. And it's gorgeousness lulls you into a false sense of security for the mind games that are about to take place over the next ninety minutes. It opens with Adolf (James Sheldon), talking desperately about the love for his new wife with a man he recently has befriended, Gustaf (David Sturzaker). She's just published a book about her idiotic husband from her first marriage and now gone away for a few days. And her absence is driving Adolf crazy. He's stopped painting and started working on a very sexually provocative sculpture. But his new friend is sowing the seeds of doubt about his wife. He saw her on the ferry chatting to some young men. And as Adolf becomes increasingly neurotic about his new...
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