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False alarms: Diagnosis @finborough

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Nobody likes Cassandra, and like the Trojan princess who was given the gift of being able to see the future but cursed so that nobody would believe her, the woman at the centre of this piece could see into the not-too-distant future. She can see that disaster is about to strike. But she’s dismissed as a vulnerable, crazy lady who maybe had a bit too much to drink. This is the premise of “Diagnosis,” currently playing at the Finborough Theatre , written and performed by Athena Stevens.  You enter the Finborough under surveillance. The camera is pointed at the audience, and it soon becomes clear that we are somewhere in the not-too-distant future in London. A city where surveillance already abounds so we can capture all sorts of crimes taking place (albeit not in ultra-high definition).  In the future, every police station will record interviews with an audience with “vulnerable persons” involved. This is to ensure no police misconduct occurs. A police officer (Ché Walker) is in...

Myopic memories: This House

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Top ten things about politics you might learn from catching This House at the Garrick: 1. It's a game of cat and mouse It's a relentless cat and mouse game set in the bowels of the Palace of Westminster as the whips for the conservatives and labour try to keep their members in line. There isn't much drama but an awful lot of comedy in retelling the period of the minority Labour government from 1974-1979. 2. It ends in tears There is so much comedy that it is easy to forget that country was a mass. Mass strikes, garbage on the streets, high inflation, policies failing to pass. It's all fun and games until someone needs to go begging for an IMF loan ... 3. Maybe you just had to be there Whether you understand or care about the show probably does depend on whether you lived through the period. The piece does hurl large chunks of parliamentary tradition at the audience in the guise of dialogue to new members. But ultimately it feels like a memory piece for th...