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Eternal guilt: Dorian The Musical @SWKplay

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Dorian is a new musical that updates Oscar Wilde’s gothic novel from the uptight Victorian era to an undetermined period of gender fluidity and glam rock. On paper, musicalising the Picture of Dorian Gray to a period of glam rock, social media, and cheap shoes seems like a good idea. After all, Oscar Wilde’s gothic story is very adaptable. It has been the source of countless adaptations for the stage, television or movies. I was half expecting a trashy Dorian, similar to the early 1980s telemovie that shifted Dorian’s gender to a woman. This version falls into a so bad it’s good category with Anthony Perkins in a lead role, who as he ages under makeup starts to look like Andy Warhol.  And while it’s great to see a new show, a strong cast can’t compensate for such an earnest production with underpowered songs. There’s no sense of fun, and some curious staging and costume choices  -mismatched dresses, crocodile boots and furry suits - serve as a distraction. It’s currently playing at th

Some old goose: Mother Goose @wiltonmusichall

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A terrific cast, a fun story and the fabulous atmosphere of Wiltons Music Hall make Mother Goose a panto not to miss this season. Well, if you like that sort of thing... Roy Hudd writes and stars as the Pantomime Dame Mother Goose. She is an old woman who befriends a rather large and lonely goose. In return the goose gives her riches beyond her wildest dreams. Naturally being a poor old woman of meagre means it goes to her head. She sells her soul and her goose and ends up looking as it she should be in The Only Way Is Essex. It is an odd story for a pantomime, but it's clear that Hudd and his wife, director Debbie Flitcroft, know the essence of good panto. There is a battle between good and evil, spectacular costumes, audience participation. Not to mention a mix of songs and some pretty hoary jokes and ad-libs.