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Showing posts with the label Benji Sperring

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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Insane in the membrane: Yeast Nation, The Triumph of Life @swkplay

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A musical about yeast conjures up all sorts of things about what it could be. Is it about a nation's obsession with home baking during a lockdown? Or is it the latest infection outbreak? No, it's neither of these. Instead, it is a rock musical about the unicellular organisms living in the primordial soup. Purporting to be the oldest story of all time (as it’s probably hard to go back further than single-cell organisms), It's part rock musical, part history lesson, part Greek chorus and part bonkers. And it's currently playing at the Southwark Playhouse . Narrated by Jan, the unnamed, it tells the tale of a series of salt-eating yeasts (all called Jan) at the bottom of the primordial soup/sea. They are in stasis, following careful strictures, so they don't reproduce or change. They sing a catchy tune called stasis is the membrane and live a balanced life with the soup around them.  But not all yeasts are satisfied with stasis. And when some yeasts rise to the top to
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Jesus, It’s Christmas: An Act of God @thevaultsuk

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God is back, and she wants to correct the record in 90 minutes on a stage under Waterloo Station. If that seems like a fair enough premise for you, then An Act of God is currently playing through to the new year at The Vaults . It’s such a mild satirical piece that you’ll be smirking out loud rather than laughing out loud. However, as an alternative Christmas experience with a terrific bar and an enthusiastic cast, it’s mostly harmless. God has come to London to correct the record on a range of misinterpretations of her Ten Commandments. The Palladium was unavailable, but the damp space of The Vaults was free. This time around the tablets are different (an IPad of course) and so are the messages about leaving God out of the war, travelling or sex. New material has been added to keep it topical. But the comic timing seems off and attempts to introduce theological debate into the proceedings fall flat. This makes the reissuing of the 10 commandments feel a bit of a chore. Or lik
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The man in the rubber mask: The Toxic Avenger @toxicavengeruk

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An eighties rock ballad score and a terrific energetic cast make  The Toxic Avenger  a lot of fun. It’s back in London at the Arts Theatre. With just a small cast of five performers, they change characters, change sex and mutate. All while singing an eighties inspired rock score. It’s amazing and exhausting to watch. The story is meant to be B-movie schlock. In Tromaville New Jersey, a nerd metamorphasises into a toxic superhero after being dumped into some New Jersey sludge by some jocks. He had discovered his local evil Mayor’s plans to use the town as a dumping ground for toxic waste from New York. Or something like that. And he falls in love with a girl. Who is blind. But the story is probably not as important as the people performing in it. Since they’re determined to show the audience a good time.
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Smooth operator: How To Succeed in Business Without Really Trying @wiltonsmusichall

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It feels a little like a high school musical with its clunky sets and actors cast in roles too old for them. But I still found How To Succeed in Business Without Really Trying at  Wiltons Music Hall  a lot of fun. Part of its fun is the memorable performance by Marc Pickerin g as the ambitious young executive. Here you get the impression he is relying less on boyish charm and more on being sly and cunning to get ahead. Given the space of Wiltons he can look you in the eye and let you know he is out to get what he wants.  He also gives the classic songs in the show a fresh interpretation that feels as if they should be on an album.
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