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Sex, violence and caviar: Men's Business @finborough

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Life's a dog in Men's Business. It's a nasty, cruel life where amongst the banality of everything, love, or something resembling a bit of it, exists out of a butcher's shop. And in between feeding dogs or chopping up offcuts of meat to sell as pet food, there's always time for sex and violence. The play gets into these dark and disturbing themes, inviting the audience to immerse themselves in this claustrophobic world. It's not a pleasant night at the theatre. Still, the intensity of the piece in the confined space of the Finborough Theatre and the exploration of these ideas make for an engrossing experience.   This is a new translation by Simon Stephens of Franz Xaver Kroetz's work. Initially published in 1972 and would later be expanded in the piece Through The Leaves, the action is set in a butcher's shop.  We're introduced to Charlie (Lauren Farrell), who inherited the shop from her father. Family don't seem to be around anymore. All she has...
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Another look at nowt: The Daughter-In-Law @arcolatheatre

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Last May the  Arcola  Theatre presented The Daughter-In-Law in it’s downstairs space. Now is the chance to revisit this piece in its larger theatre. And it’s great to have another look at this simple tale and evocative production about lives against the backdrop of the 1912 miner’s strike.   Transferring from the intimate downstairs space gives the production a bigger audience and a bigger space to work with. And while it loses some of the intense claustrophobia of the smaller space it also seemed funnier. And more shocking. With it’s local dialect and intense relationships you soon find yourself drawn into the life of this Nottinghamshire mining town.  DH Lawrence’s drama, written in 1913, is set a world where money and family are your means for survival.  Mrs Gascoyne (Veronica Roberts) has two sons who are still in her orbit. The youngest Joe (Matthew Biddulph) is carefree and careless living at home. The other Luther (Matthew Barker) has just marri...
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From owt to nowt: The Daughter-in-Law @arcolatheatre

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Family ties are strong and stifling in The Daughter-in-Law. It’s a snapshot of working class life against the backdrop of the 1912 miner’s strike. It’s expertly presented in the downstairs space of the Arcola Theatre . It feels as if you’re in the mining cottage as an accidental witness. The performances, drama and intimate space will have you transfixed throughout.  DH Lawrence’s drama, written in 1913, is set in a Nottinghamshire mining town. It’s a world where money is crucial for survival. There are those who have it, those striking for better conditions and those who are bargaining for more of it.  The “daughter-in-law” in question is Minnie (Ellie Nunn). She is a  somewhat independent woman who by chance inherited £100. She’s married to Luther (Harry Hepple) after asking him. After less than a few months marriage, Luther seems to resent his wife’s economic independence to the point that he’s ambivalent to her existence. But it’s his relationship with another woman t...
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