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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Have a good day: Grey @Ovalhouse theatre

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Koko Brown is a strong, independent, Black woman. She’s written one show, and she now has another called Grey playing at Ovalhouse Theatre . A fantastic performer who uses spoken word, live vocal looping and multimedia to tell her stories, she has so many exciting and fabulous thing in her life. What could be wrong? But she’s also a little sad. And this starts the story and journey exploring in mental illness and having an elusive good day. Similar to the exploration of labels and names explored in her first work, White, Brown uses Grey to tell a story about mental health and discovering who she is and as a black woman in modern Britain. Candid, honest and provocative. It's also funny. And it’s moving how Brown, as the character Woman, depicts her journey as she struggles to cope with everyday life before seeking help. Then after help the unexpected side effects and consequences of drugs on her body, while still trying to be everything everyone expects her to be. Alongsid

Mixed race privilege: White @ovalhouse

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I always knew what I was. I was mixed race. I was... And so begins Koko Brown’ s monologue White. It’s about being mixed race and being an outsider and growing up in modern Britain dealing with labels when sometimes none really fit. It’s currently playing at the Ovalhouse Theatre as part of its Autumn Series of shows. Koko Brown uses spoken word, live vocal looping and multimedia to create a powerful and compelling statement on how we view people.