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Showing posts from April, 2021

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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Streams of observations: Tales from the Front Line @TalawaTheatreCo

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The final films in the online series from Talawa Theatre Company’s Tales from the Front Line are now available. The series uses verbatim interviews with Black key workers to explore what it’s like living in Britain today. The pandemic, Windrush Scandal, Black Lives Matter are all reference points to suggest that the post-pandemic world should be a different one.  One of the new episodes features Adjoa Andoh, as a teacher with vaccine hesitancy. Yet among the disinformation and noise that’s enough to fill Oxford Street on a Saturday afternoon, she decides to protect herself and get vaccinated. Since sometimes, all her children need is a hug.  Tales From the Front Line aims to create a record of the stories of Black people on the front line of the Covid crisis and designed as space for Back workers to share their experiences. Black artists and creatives have then taken the testimonies to convey stories with music, performance and choreography. The final series of films are available fro
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Resilient streams: Safe @HackneyEmpire

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Titling a piece "Safe" at the moment evokes all sorts of meanings. Is it about going out in London? Is it about social distancing and testing? Is it about the latest vaccine? But don't one needs not have a pandemic.  Here, safe is about the basic need for young people to grow up in a safe and supportive environment. Particularly when they are discovering that they lesbian, gay, bi, trans or queer.  In this verbatim piece, writer Alexis Gregory weaves together a series of stories about the lives of young people and the fine line between being accepted and being on the street. The young people are trying to find their identity while their families, religion, race and class are forcing them to be categorised, classified and standardised into something else.  Taken from interviews with young people met through the Albert Kennedy Trust (AKT) with live music and additional words by poet Yrsa Daley it sets out how easy it can be to fall into poverty, abuse and addiction without
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