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Showing posts with the label Georgie Staight

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Take me to the world: Hide and Seek @parktheatre

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In a small town where everyone knows everyone, if you don't like it, you might feel that the only logical thing to do is to disappear. Especially if you think it will help your social media rankings. The loneliness and isolation of youth meet influencers in the wild in Tobia Rossi's Hide and Seek. And while events take a darker turn, the humour and the intimacy make this piece about youth on the edge (of trending) fascinating and enjoyable. It's currently playing at Park Theatre .  Mirko (Nico Cetrulo) is exploring a cave with his camera when he stumbles on Gio (Louis Scarpa). Gio has been missing for a while, and the town has been looking for him. But Gio is more interested in how much he is trending on TikTok. He also had a crush on Mirko. Soon, they establish a friendship and a bond. In the cave, they explore feelings they would not dare share outside. However, things turn darker when Gio is confident enough to leave the cave, while Mirko doesn't want his double life

Long term relationships: Chutney @BunkerTheatreUK

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The central message from Chutney, is that anyone you date at University is not worth staying in a long term relationship with. You get bored with your smug post-university life and soon you’ll be wanting to murder the neighbour’s cat. Or their parrot. Or a few hedgehogs. It’s currently playing at The Bunker . We’re introduced to Claire (Isabel Della-Porta) and Gregg (Will Adolphy) after something terrible has happened. They’ve just been dog-sitting for some friends and then a fox came and ripped the dogs head off. Or was it a homeless man. Or did they do it? There’s a middle class kitchen complete with John Lewis kitchen appliances. It sets the scene where boredom meets murderous thoughts and actions. It’s American Psycho meets Croydon Cat Killer. Without the moral panic. There’s plenty of gross, stomach churning dialogue. But playwright Reece Connolly has some sharp observations about the lives of millennials. Not old enough to have positions of power. Not young enough to have carefre

Personal atrocities: Into The Numbers @finborough

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Into the Numbers is a haunting exploration into the mind of writer Iris Chang and her struggle with success and demons. Written by Christopher Chen, it’s having its European premiere at the Finborough Theatre . Iris Chang wrote a best selling book about the massacre of 300,000 civilians in Nanking at the hands of Japanese soldiers. The book, The Rape of Nanking , describes in graphic detail the way in which people were brutally murdered. Including an estimated 80,000 women and young girls were raped. Seven years later, Chang would kill herself at the age of 36, leaving a suicide note that was meticulously edited and rewritten. What’s fascinating about the piece is how Chen uses fragments from her personal and professional life to explain why this happened. In doing so, he not only explores the subject matter but also gets beneath the surface of mental illness. Opening as a lecture and an interview with Chang, the piece sets the scene and recounts facts from the book. But things begins

Cattle class: Dubailand @Finborough

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There is a line in the play Dubailand about all the astronauts around the world looking down and seeing people in Dubai. The implication is they will see these masters of the universe. Labourers earning loads of money. Expats in offices making a bundle. But they will see tiny people of insignificance. That's the point of the play. Whether you're a labourer or marketer, you're all the same. You're second or third or fourth-class citizens. And don't forget it. The play by Carmen Nasr is running at The Finborough Theatre on Sundays Mondays and Tuesdays. It was first performed there as a staged reading in 2015.