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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Long term relationships: Chutney @BunkerTheatreUK

The central message from Chutney, is that anyone you date at University is not worth staying in a long term relationship with. You get bored with your smug post-university life and soon you’ll be wanting to murder the neighbour’s cat. Or their parrot. Or a few hedgehogs. It’s currently playing at The Bunker.

We’re introduced to Claire (Isabel Della-Porta) and Gregg (Will Adolphy) after something terrible has happened. They’ve just been dog-sitting for some friends and then a fox came and ripped the dogs head off. Or was it a homeless man. Or did they do it?

There’s a middle class kitchen complete with John Lewis kitchen appliances. It sets the scene where boredom meets murderous thoughts and actions. It’s American Psycho meets Croydon Cat Killer. Without the moral panic.

There’s plenty of gross, stomach churning dialogue. But playwright Reece Connolly has some sharp observations about the lives of millennials. Not old enough to have positions of power. Not young enough to have carefree University existences. They are charting the world of binge-watching Netflix and dreaming of exotic escapes that they can’t afford. It’s enough to bring out more primal, animal instincts.

Adolphy and Della-Porta are remarkable as they navigate characters that teeter between sympathetic and psychopathic. It’s a fine line they tread but both are engaging throughout. Acting out and narrating their inner-evil thoughts.

The production with its all-white kitchen and stainless steel appliances makes it feel as if you’re entering an abattoir. Maybe we are. And it will make you think twice before asking a millennial to dog-sit while you’re away...

Directed by Georgie Staight, Chutney is at The Bunker until 1 December.

⭐️⭐️⭐️⭐️


Photos by Rah Petherbridge Photography

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