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Showing posts with the label Martin McDonagh

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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Trolling: A Very, Very, Very Dark Matter @_BridgeTheatre

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Trolling, the art of making random, unfounded and controversial comments to provoke an immediate emotional reaction is the backbone of today’s social media. But in A Very, Very, Very Dark Matter, Martin McDonagh has decided to extend it to the theatre. Daring you to walk out in disgust with his twist on the lives of Charles Dickens and Hans Christian Andersen. He’s out to knock these men off their pedestals. Just in time for Christmas. But the show does what it says on the tin. Those who can stomach this grim stuff might walk away with something to think about. It’s having its world premiere at The Bridge Theatre . The premise is that Hans Christian Andersen has been keeping a captured Pygmy woman he calls Marjory from the Congo in his attic. She writes his stories. He isn’t particularly talented in his own right. Hans as played by Jim Broadbent also comes across as a Jimmy Saville-like entertainer. With only a passing interest in humanity. Marjory‘s played by Johnetta Eula’Mae Ackles.
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It’s grim up there: Hangman

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Hangmen is Martin McDonagh's first new work on the London stage in a decade. But something is unsettling about this commentary on mob mentality and nostalgia. It’s grim world where the hero is the second best hangman in the country. And the smell of cigarette smoke and stale beer permeates the air. Well you don’t smell the beer but there is so much smoking on stage it wafts into the audience. It is 1963 when the show opens. A prisoner is desperate to delay his execution by any means possible. But Harry Wade, the resourceful and efficient hangman, keeps things on track. The scene is hilarious right up to the moment when the trapdoor opens and you hear his neck snap. Fast forward two years and Harry is running a pub in Oldham. Capital punishment has been abolished. A cub reporter from the local paper is chasing him for an interview. Still, he has his regulars at the pub. They are like his fans, clinging on to stories from the old days as if capital punishment was a sport.
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