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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Religion and fennel salad: Disgraced

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You feel like a voyeur watching Disgraced , the fiery Pulitzer Prize-winning play by Ayad Akhtar, at the Bush Theatre . Over the course of 90 minutes everything that is civilised and awfully respectable about two New York couples is gradually undone and at times the conversation is so frank and uncomfortable that you forget you are at the theatre. It turns sour in moments over a fennel salad. As each character presents their views on religion and racial discrimination in today's modern world, they stumble and fall over their arguments and soon there is no turning back from a car crash. It is funny and topical but perhaps a little unnerving, particularly as the recent events in Woolwich bring religion and terrorism back in focus.