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Showing posts with the label Joanna Hickman

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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...
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Only an older woman: Harold and Maude @Charingcrossthr

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There’s something irresistibly cute and whimsical about this adaptation of Harold and Maude. It’s not as dark or shocking as the film. But the performances and production of this tale of living life and enjoying every stage of it make it a delight. It’s currently showing at the Charing Cross Theatre . Colin Higgins wrote the script to Harold and Maude as his third year film school thesis. Directed by Hal Ashby and starring Ruth Gordon and Bud Cort it bombed on release. Only later did it develop into a cult following. Higgins, who would go on to write and direct the movies Foul Play and 9 to 5 ,  would later adapt it into the play we have here.  The story centres on Harold. He’s a young man stuck in the straight-jacket of middle-class early seventies suburbia. He stages suicide attempts to shock his mother. He goes to funerals of strangers and has generally withdrawn from life. While at one of these funerals he meets Maude. She’s constantly borrowing things; cars, trees, money...
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Make them hear you: Ragtime @CharingCrossThr

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Ragtime at Charing Cross Theatre takes the late nineties musical and lifts it into another realm. With a compact cast on a compact stage, everything seems more intense. It is more musical, more melodramatic and more relevant than ever before. The cast double as the musicians. One minute they are singing the next minute they’re on the drums or accordion. Pianos whizz about the stage. Music and drama explode in front of you. There is so much happening (particularly in the frenetic first half) that it is breathtaking. The show opens with an extended prologue introducing the characters and the music of a new syncopation that sets the tone for the rest of the evening. After the rousing chorus that ends it the audience burst into cheers
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