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Two Ladies: La Bella Bimba at Barons Court Theatre / Canal Cafe Theatre

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T hey sing. They dance. They clown around. They even wash clothes! Such is the story of La Bella Bimba, part of the Voila Theatre Festival, which highlights new and emerging artists. A tale of two Italian ladies who land in 1920s New York, trying to break into Broadway without speaking a word of English. It’s harmless, primarily even if a little nonsensical, and is currently playing as part of the Voila! Theatre Festival .  I caught the performance at the Barons Court Theatre , where the intimate setting created an evocative atmosphere reminiscent of dark New York alleyways. The space was almost claustrophobic with a distinct smell of rising damp, making you feel immersed in the story of two Ladies hanging around the theatre doors of Broadway. On the plus side, the theatre has some of the most comfortable seats you will find in any pub theatre in London. As the naive and hopeful singers, Co-creator Lucrezia Galeone as Carlotta and Sarah Silvestri as Cecilia are fine singers with co...

This mean and unpleasant land: Allelujah! @_BridgeTheatre

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Watching Alan Bennett’s Allelujah! at the Bridge Theatre , you can’t help but admire him for putting it up his fellow Englishmen. After all he’s a national treasure, living legend, man of letters, all round octogenarian. And here’s an angry play about how this country doesn’t care. It neglects its elderly, it causes hardship for immigrants and so on. There’s a long list of grievances that the bigoted press have not unnoticed in their reviews. But it’s presented with all the charm and wit Bennett can muster. You can feel the irony as he evokes the noble yesteryear, contrasting it with the neglect of today.  A nurse quips that the patients are living long enough to form a choir. But it’s a performance nobody sees. Even as the cast work their way through an increasingly elaborate set of musical numbers. It’s as if Bennett’s making the case to the audience that you’re having such a darn good time with the performers why keep putting your old folks on the scrap heap? Life for the elder...