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Showing posts with the label jukebox musicals

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Extraordinary shenanigans: Extraordinary Women - Jermyn Street Theatre

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Compton Mackenzie’s novel about bed-hopping lesbians on Capri (here fictionalised as Sirene) and their escapades gets a musicalised treatment in this intimate show. It’s all a bit silly, really, and not much happens in the end. However, the musical succeeds in evoking a time, a place, and a mood with its sublime music and stellar cast. It’s currently playing at Jermyn Street Theatre . Set in the aftermath of World War I in 1919, Extraordinary Women explores the lives of unconventional women—chiefly English writer Aurora (Caroline Sheen) and her lover, Rosalba (Amy Ellen Richardson). Aurora has purchased a villa on the island with the hope of encouraging her part-time lover, Rosalba, to settle down with her exclusively. However, Rosalba, who is romantically involved with several women and depends on them for her lifestyle, is hesitant to commit. The story revolves around their on-again, off-again romance, along with the various affairs among the other women on Sirene. Meanwhile, the anc...
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Holographs of my mind: Dusty @dusty_show

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Dusty Springfield is back from the dead in Dusty , a multimedia musical which has her spinning around and singing in 3D holographic spectacular. As for the show, despite other opinions , I liked it for the music. It is a wonderful homage to her, even if the technology gets in the way of the performances and the story.
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Music that pulls no punches: Soul Sister

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Soul Sister at Hackney Empire is a musical based on the life of Tina Turner . It's an opportunity to set the rhythm and blues music from Ike and Tina Turner to her lifestory with some incredible results. Most of this is due to the incredible powerhouse performances by Emi Wokoma as Tina and Chris Tummings as Ike. Wokoma doesn't pretend she is Tina Turner but is a star turn all the same. It's energetic, musical and thrilling. By the end of the show with the obligatory musical medley the audience was on its feet dancing. It is a pity that the creative team decided to musicalise a story that features domestic violence so prominently. Either from shock or bewhilderment the audience were either laughing at every punch or cat calling. It was enough to make you feel like you were in the audience for the taping of a Jerry Springer show. Here's hoping as the show evolves there is a better solution to telling the Ike and Tina story on stage... And perhaps finding a punchier ...
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