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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Music that pulls no punches: Soul Sister

Soul Sister at Hackney Empire is a musical based on the life of Tina Turner. It's an opportunity to set the rhythm and blues music from Ike and Tina Turner to her lifestory with some incredible results. Most of this is due to the incredible powerhouse performances by Emi Wokoma as Tina and Chris Tummings as Ike. Wokoma doesn't pretend she is Tina Turner but is a star turn all the same. It's energetic, musical and thrilling. By the end of the show with the obligatory musical medley the audience was on its feet dancing.

It is a pity that the creative team decided to musicalise a story that features domestic violence so prominently. Either from shock or bewhilderment the audience were either laughing at every punch or cat calling. It was enough to make you feel like you were in the audience for the taping of a Jerry Springer show. Here's hoping as the show evolves there is a better solution to telling the Ike and Tina story on stage... And perhaps finding a punchier first act. Surely the show could have opened with a livelier number than "Private Dancer"?

Fascinating show all the same and it runs at the Hackney Empire until 5 May... For now...

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