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Showing posts with the label Barbican

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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Theatre: South Pacific

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While many of the critics seem to think it has lost something in crossing the Atlantic , Saturday's performance of South Pacific at the Barbican was still an impressive night out at the theatre, and highlights what has been missing from London musicals for a while. Notwithstanding a little lack of chemistry in the leads (and a fully fleshed out characterisation of Nellie by Samantha Womack), South Pacific is an impressive show. The cast give an excellent performance with some very fine singing. There is even a little bit of rear nudity and flesh in this production which no doubt gives a modern updating (and a thrill for the older gentlemen in the audience of a certain persuasion). The work is a marvellous example of how seamless and integrated a story with music can be. While the songs could stand on their own (and most do), there is very little pointless exposition or labouring. The three hours you spend in the South Pacific will breeze by. If only all musicals were this cl
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Theatre: Two Gentlemen of Verona

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source:http://www.newstatesman.com It was a long and fascinating story as to why I found myself at the Barbican Friday evening to see Nos do Morro's production of Shakespeare's Two Gentlemen of Verona . For the purposes of the blog I can attribute it to Dame Fortune and the fact that when I saw AfroReggae with Felicity she had a go at all those white men in the audience trying to dance which turned out to be a source of cheap laughs. After reading my blog, Paul suggested I should go and see this production. I should point out that Paul is another Paul and I am not writing about myself in the third person. It's not that kind of blog... Anyway, Nos do Morro's production of Two Gentlemen of Verona is a real treat and full of so much energy that you can't help but like it. It is in Portuguese as well which means that I had no idea what they were saying (and the surtitles weren't a direct translation but rather the original Shakespeare text). But I wasn't going
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Music: Favelization

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It had been a while since I had been to the theatre, and so Felicity and I caught Afroreggae 's Favelization concert at the Barbican on Thursday evening. Afroreggae have played at the Barbican a few times over the past few years, but this is the first time I caught them. Afroreggae began in Brazil in the shantytowns (favelas) and the music is a fusion of reggae, hip hop, soul, pop and latin rhythms. In addition to this the music also is a call to action about many of the injustices in the world, particularly among the world's poor and disenfranchised. Of course being in Portugeuse this was lost on me. I checked with Felicity and she was a little rusty on it too. I guess most of the audience may have been in the same boat. While there were projections that accompanied the show the rapid fire words deserved to be comprehended. So after making a mental note to add language course to my new years resolutions, I could sit back and enjoy the concert. It was interesting that despite
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