Paul in London

Could Groundhog Day at the Old Vic be the most fascinating piece of theatre on in the West End this summer? Based on a much-loved movie it isn't particularly groundbreaking as musical. Nor will you leave the theatre humming too many of the tunes. But a series of performances (including by the two charismatic leads Andy Karl and Carlyss Peer ) take this show to another level. Based on the Bill Murray movie, the show follows the same plot. Phil is a sarcastic weatherman forced to relive the same day over and over. He is stuck in a time loop reporting on whether a large rodent (the groundhog) can predict an early spring. So he starts making the most of the situation. He sleeps with every woman in town, he steals, he cheats death. But after craziness and depression set in he focuses his efforts on improving himself and getting the day right.

Arad’s Curtain Call at the Roundhouse has completed its summer season of live performances. But you have until the end of the bank holiday weekend to see the installation before the silicon rods are packed away. Created by Arad in 2011, it's made up of 5,600 silicon rods suspended from an 18 metre diameter ring. The curtains first appeared in 2011 and returned this year as part of the Roundhouse’s Bloomberg Summer. The live performances with invited guests were part of a series of late night events. Closing the live performances on Thursday were the London Contemporary Orchestra . With a combination of cool music and vocals, it was a reflective and sophisticated musical experience.

There is no time to lose in Allegro at the Southwark Playhouse . It is a whirlwind tour of a man's life from birth to mid life. But along the way there is much to admire in this early Rodgers and Hammerstein piece. Allegro was first performed in 1947 is having its professional European premiere finally in 2016. For whatever reasons it did not capture the imagination of the public at the time. Maybe it is it is because it is a character study and a none too subtle dig at city life. But perhaps with the passing of time the story has more resonance and its innovations can be appreciated.

  Everything is fiction. Whether it is our post-truth politics, which led the country out of the European Union on the premise of an imaginary amount of money going to the NHS and immigration being cut. Then there is our partisan newspapers shouting political hysterics mixed with celebrity stalking to an ever-dwindling audience. And then there is what we tell ourselves. So is the premise of  Emma Packer's  fascinating CTRL+ALT+DELETE. It is having a short run at the Camden People's Theatre.  Written and performed by Packer, she first introduces us to Amy. A child of the 80s she reminisces about her love of sport and knowledge of the Spice Girls. She also had a loving relationship with her grandfather and the time they spent together.  But things quickly shift when we are introduced to Amy's mother. Drinking and smoking prior to Amy's birth, afterwards abuse becomes a pattern. The unsettling part of the piece is how this becomes acceptable behaviour and consequences for

Dark sinister and opressive… That’s just the venue it is playing in. But The Collector at The Vaults in Waterloo turns things up yet another notch with it’s creepy tale of a man who collects butterflies. And the occasional arts student. Mark Healey has adapted John Fowles’s novel, which tells the story of Frederick Clegg and Miranda Grey. Frederick loves Miranda so much so that he follows her every move. When he wins the lottery, he quits his job, buys a remote farmhouse and prepares the basement for a special house guest. Starring Daniel Portman (seen in Game of Thrones) as Frederick and Lily Loveless as Miranda. It is a cat and mouse tale of obsession and secrets set in a basement. Together the two spar as one plots how to make her love him, while the other plots her escape. The thrills come from seeing how everyday activities become a pattern of behaviour that can be your downfall. And how even good people can do bad things. A stylish production with a smart cast di

The Secret Garden Spring Version is a fun and emotional foray for young people into the world of musical theatre. Or those who are hesitant at experiencing overblown musicals from the 1990s. It is currently playing currently sharing the Ambassadors Theatre in the West End. Creators Lucy Simon and Marsha Norman have reduced the running time of the piece to 75 minutes for younger performers. They have stripped out much of the adult brooding from their original work and focus on the younger characters. By doing so it gives the piece pace and energy and with a young enthusiastic cast the show really feels alive.

The best thing about the West End transfer of Rotterdam to Trafalgar Studios is the chance to see it again after its sellout run last year at Theatre 503 . Maybe it is just as good as it always has been, but seeing it in the space of Trafalgar Studios 2, the drama seems heightened and the comedy funnier. The piece is a unique and hilarious story about gender, sexuality and drifting through life abroad by Jon Brittain . A combination of great writing and performances make it a must-see. The premise is it is New Year in Rotterdam. Alice has finally worked up enough courage to tell her parents she is gay and living with her girlfriend Fiona. But the email is never sent. Just as Alice was about to send the message Fiona reveals that she wants to start living as a man named Adrian. While Adrian starts transitioning Alice now has to decide what this means for her, and does that mean she is now straight? To add to the complications Alice’s ex and Fiona’s brother Josh is there. And s