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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the

Last Look: Les Troyens

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Tonight is the last chance to see Berlioz's Les Troyens at The Royal Opera . It is an event: an epic opera with some grand spectacle to match. However at nearly six hours (including two half hour intervals) you do need arrive prepared, which includes familiarising oneself with Berlioz's music. The piece is full of rousing choruses and delicate moments, but as a drama that hangs together like other Romantic operas it is not easy to take in at first listen. David McVicar's production makes things a little easier to appreciate with the spectacle and astonishing set designs by Es Devlin . Brush up on your Berlioz late Romantic period, refresh your knowledge of Virgil's Aeneid and go along for the ride... It may not come around too soon again...