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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Another look at nowt: The Daughter-In-Law @arcolatheatre

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Last May the  Arcola  Theatre presented The Daughter-In-Law in it’s downstairs space. Now is the chance to revisit this piece in its larger theatre. And it’s great to have another look at this simple tale and evocative production about lives against the backdrop of the 1912 miner’s strike.   Transferring from the intimate downstairs space gives the production a bigger audience and a bigger space to work with. And while it loses some of the intense claustrophobia of the smaller space it also seemed funnier. And more shocking. With it’s local dialect and intense relationships you soon find yourself drawn into the life of this Nottinghamshire mining town.  DH Lawrence’s drama, written in 1913, is set a world where money and family are your means for survival.  Mrs Gascoyne (Veronica Roberts) has two sons who are still in her orbit. The youngest Joe (Matthew Biddulph) is carefree and careless living at home. The other Luther (Matthew Barker) has just married.  But the marriage

From owt to nowt: The Daughter-in-Law @arcolatheatre

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Family ties are strong and stifling in The Daughter-in-Law. It’s a snapshot of working class life against the backdrop of the 1912 miner’s strike. It’s expertly presented in the downstairs space of the Arcola Theatre . It feels as if you’re in the mining cottage as an accidental witness. The performances, drama and intimate space will have you transfixed throughout.  DH Lawrence’s drama, written in 1913, is set in a Nottinghamshire mining town. It’s a world where money is crucial for survival. There are those who have it, those striking for better conditions and those who are bargaining for more of it.  The “daughter-in-law” in question is Minnie (Ellie Nunn). She is a  somewhat independent woman who by chance inherited £100. She’s married to Luther (Harry Hepple) after asking him. After less than a few months marriage, Luther seems to resent his wife’s economic independence to the point that he’s ambivalent to her existence. But it’s his relationship with another woman that sets in tr