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A little less conversation: After Sex @Arcolatheatre

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According to research, millennials in rich countries are having sex less these days. But they were prepared to talk more about it. So, it is no surprise to see a story about what happens when a series of no-strings-attached encounters start to become attachments. And the conversations arising from it. Such is the premise of After Sex, Siofra Dromgoole’s two-hander of the conversations afterwards. It’s not particularly sexy or erotic, and the snappy pacing and short scenes sometimes make you wish they stayed longer to finish the conversation. Nevertheless, it is still a funny and, at times, bittersweet picture of single lives in the big city. It’s currently playing at the Arcola Theatre .  He is bi and works for her in an office job. She is neither ready for a commitment nor to let the office know what’s happening. He isn’t prepared to tell his mum there’s someone special in his life. He doesn’t speak to his dad, so his mum is his world. It’s a perfect relationship/arrangement. Or so it

Lonely Town: The Lonely Londoners @JSTheatre

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Sam Selvon’s novel about the Windrush generation comes to vivid life in this flashy adaptation by Roy Williams—the hustle and the struggle contrast with the exuberant joy and acclamation of life in the city. Lights flash, feet dance, and pigeons get strangled...  for food. It’s an hour and forty-five minutes that doesn’t let up, and it is currently playing at the Jermyn Street Theatre .  Set in 1956 London, we meet Henry “Sir Galahad” Oliver (Romario Simpson). He is in a hurry to start a new life in London and seeks out Moses Aloetta (Gamba Cole) to help him get started. Only to find that Moses and his friends have become disillusioned with city life and don’t share his enthusiasm. The fights, the petty discrimination, and the lack of job offers make it an endless struggle. And it’s fascinating to see the transformation of Simpson as he gets worn down by the endless setbacks.  It’s a simple yet stylish production, with the cast remaining onstage with a black wall. Elliot Griggs’ lighti