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A night at the opera: That Bastard Puccini! (Park Theatre)

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It’s hard to imagine that it’s only been 130 years since Puccini first premiered La Boheme. Nowadays, it’s a revered classic, and guaranteed to be on any opera company's annual programme if it needs to stay afloat. It’s a crowd pleaser with its melodrama of poor, impoverished artists loving, starving and dying in Paris. But Puccini’s La Boheme had a less auspicious beginning, with one of his contemporaries accusing him of stealing his idea and being poorly received on its first outing. And that’s at the heart of That Bastard Puccini! Currently playing at Park Theatre , writer James Inverne uses the friendship and rivalry between the two composers, Puccini and Ruggero Leoncavallo, to weave a comic tale of creative frustration with an awful lot of facts and tidbits about the opera scene at the time. It’s part comedy, part music appreciation.  It opens with Leoncavallo (Alasdair Buchan) at home with his wife Berthe (Lisa-Anne Wood), cursing about Puccini’s latest work, which is drawn ...

Lonely Town: The Lonely Londoners @JSTheatre


Sam Selvon’s novel about the Windrush generation comes to vivid life in this flashy adaptation by Roy Williams—the hustle and the struggle contrast with the exuberant joy and acclamation of life in the city. Lights flash, feet dance, and pigeons get strangled...  for food. It’s an hour and forty-five minutes that doesn’t let up, and it is currently playing at the Jermyn Street Theatre. 

Set in 1956 London, we meet Henry “Sir Galahad” Oliver (Romario Simpson). He is in a hurry to start a new life in London and seeks out Moses Aloetta (Gamba Cole) to help him get started. Only to find that Moses and his friends have become disillusioned with city life and don’t share his enthusiasm. The fights, the petty discrimination, and the lack of job offers make it an endless struggle. And it’s fascinating to see the transformation of Simpson as he gets worn down by the endless setbacks. 


It’s a simple yet stylish production, with the cast remaining onstage with a black wall. Elliot Griggs’ lighting serves to give the vibrancy of the city, underscore the drama and spell out the various postcodes as they move about London.

The simple staging allows the focus to be on the finely drawn characters. The ensemble brings them to life and makes them storytellers, witnesses to injustice, and celebrators of the rich life of living in London.

Events move at a clip, and while violence and discrimination are always nearby, there is also humour and warmth that comes through as the men bond and create their sense of family and place. By the time the piece ends, the discussion about leaving London is brief. After all, despite the odds, they have made a life here and created something out of nothing. 

Directed by Ebenezer Bamgboye, The Lonely Londoners is at the Jermyn Street Theatre until 5 March.

⭐️⭐️⭐️⭐️



Photos by Alex Brenner

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