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Showing posts from October, 2023

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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Bad girl: Boy Parts @sohotheatre

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In these angry times, an angry anti-heroine is a cathartic release, even if you’re not quite sure what the anger is about. This stylish adaptation of Eliza Clark's Boy Parts with a charismatic performance by Aimée Kelly makes it engaging. And while we don't see the gore, with each scene, there's a slight dread as to what gruesome turn of events s is going to happen next in this piece, which takes Fleabag and adds a touch of American Psycho nonchalance. It's currently playing at the Soho Theatre .  I was unfamiliar with the book's runaway success and the TikTok phenomenon, where people #booktok reviews of the piece under flattering lighting and a series of jump cuts. However, a quick cursory glance at the material shows the play has captured all the best bits in vivid detail, particularly in its descriptions of men. There's Ryan, the bar manager, with his "big thick neck and tiny pea head, thinning hair." But people may have mistaken some of these for c
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Repurposed: Owners @JSTheatre

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Caryl Churchill's Owners is an excellent example of how you can feel nostalgic for an unpleasant time in history. After all fifty years since its premiere, the property market has gone from bad to worse. And despite the seventies look and feel, it feels as if it still has something to say about property, ownership, and the transactional relationships that make up life in the country. Not to mention the relentless pursuit of Victorian terrace houses that most parts of the world wouldn't touch, it is currently playing at the Jermyn Street Theatre .  The revival brings out the oddities of the piece. The freewheeling sexual politics and the changing legal environment allowing property to be bought and sold with less regulation seem like they are from a different time and place. And they are. It's almost as if we need a history lesson to understand the time and place. The programme notes that market rates for tenancies were only allowed in 1989. Since then, we have been through
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My night with Ben (and Kam and Russ and AJ and Simon): Jock night @7DialsPlayhouse

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Some of the PR to Jock Night says London is about to get a taste of Manchester with this piece. You could interpret that many ways, but it does feel as if you become immersed in a particular Mancunian world of sex, drugs and Coronation Street. Written and directed by Adam Zane, it's a sharp-tongued, drug-fuelled odyssey into an unconventional world with more than a few sharp observations about life in the gay ghetto. It's currently playing at the 7 Dials Playhouse .  The play is set in Ben's bedroom and revolves around a famous party night in Manchester where the dress code requires jocks or sportswear. After the party finishes, then come the drugs. Then the sex and then the chillout, and then they do it all over again. But Ben (David Paisley) is also looking for love - albeit in all the wrong places.  His friends are Kam (Sam Goodchild), a quick-witted man from Sussex who found a home in Manchester. Then there's Russell (Matthew Gent), a gym bunny and aspiring Instagra
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Nasty boys: Gentlemen @Arcolatheatre

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It's a tough life in an elite university. If you thought college was a place for caring, understanding, nurturing and tuition, you might be in for a big surprise. In Matt Parvin's Gentlemen, it's the latest battleground for the culture wars. Everything is a score to be settled with sanctimony, mind games or both. Everything is about fitting in or resisting all attempts to conform. It's currently playing at the Arcola Theatre .  The premise is that Greg (Charlie Beck) is meeting with the college welfare officer, Timby (Edward Judge). Kaspar (Issam Al Ghussain) has alleged bi-phobic comments about his sexual orientation. Greg is also potentially up for charges of assault.  Both freshmen, the hormones and the anger race as fast as their minds. Soon, the concept of right and wrong, fitting in or being an individual, gets into many grey areas. Will an example be set of loudmouth Greg from a struggling background, or will he be given one last chance? Each takes turns pleading
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Dad Jokes: Dead Dad Dog @finborough

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So what happens if your dad returns from the dead to haunt you for fun in mid-eighties Edinburgh? The first London production of Dead Dad Dog in 35 years shows that new ideas of the past just become the old things of the present. It’s an amusing concept made enjoyable by the likeable leads in the piece. Written by John McKay, who would go on to find fame in television and film, it’s currently playing at the Finborough Theatre .  Due to cast illness, the second half of this show, Sunny Boy, has not gone ahead. It’s a shame, as the second half was a sequel to the piece set in Glasgow in 2023. And so, while we miss the update, we can enjoy the eighties in all its glory and marvel at the fashion, thinking, and the fascinating possibility that if you died in the early seventies, you would never know who Margaret Thatcher was.  The premise is that young man Eck (Angus Miller) is getting ready for an interview for the BBC in Edinburgh when his father, Willie (Liam Brennan), appears. The only
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