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Bit parts: Garry Starr Performs Everything @swkplay

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Garry Starr Performs Everything is a bare-bones (and bare buttocks) tribute to the theatre. Theatre may be in trouble, and audiences are down, but Garry Starr aims to save the theatre and bring back to the masses every style of theatre possible. As long as each style involves wearing a transparent white leotard or a skimpy thong. And tassels. It's part comedy, part physical comedy and part perv at Gary's physical prowess. The sentiment "if you've got it, flaunt it" applies here. So here we are with a show that has been around for some years and is having its first proper London run at the Southwark Playhouse (Borough) through Christmas. The premise is that Garry Starr (played by Damien Warren-Smith) has left the Royal Shakespeare Company over artistic differences. He is now on a mission to save the theatre from misrepresentation and worthy interpretations by doing things such as a two-minute Hamlet, recreating scenes from a Pinter play using unsuspecting audience

Nasty boys: Gentlemen @Arcolatheatre


It's a tough life in an elite university. If you thought college was a place for caring, understanding, nurturing and tuition, you might be in for a big surprise. In Matt Parvin's Gentlemen, it's the latest battleground for the culture wars. Everything is a score to be settled with sanctimony, mind games or both. Everything is about fitting in or resisting all attempts to conform. It's currently playing at the Arcola Theatre. 

The premise is that Greg (Charlie Beck) is meeting with the college welfare officer, Timby (Edward Judge). Kaspar (Issam Al Ghussain) has alleged bi-phobic comments about his sexual orientation. Greg is also potentially up for charges of assault. 


Both freshmen, the hormones and the anger race as fast as their minds. Soon, the concept of right and wrong, fitting in or being an individual, gets into many grey areas. Will an example be set of loudmouth Greg from a struggling background, or will he be given one last chance? Each takes turns pleading their case (or manipulating) Timby. And he seems sincere yet impotent. 

It's a tightly written piece, with the scenes moving between one character and the next. You also get some sense of the pressure facing young people to study, to succeed, to fit in or not with its perverse results. And while kudos for featuring a bi character, it's not the most positive depiction of bi-inclusion. 

The cast does well, perhaps too well, at creating this insular world where outrage or fitting in seems to be the only two paths to follow and where common ground seems elusive. 

And perhaps that's the point of the play. We're running out of safe places to learn and reflect. And that appeasing the polarised is not particularly satisfying. Whether you find it an enjoyable piece of theatre might depend on where your sympathies lie. I settled on the two boys being two little shits, so I remained ambivalent about the piece's politics and arguments.

Directed by Richard Spier and written by Matt Pravin, Gentlemen plays at The Arcola through to 28 October. 

⭐️⭐️⭐️ 



Production photos by Alex Brenner

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