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A night at the opera: That Bastard Puccini! (Park Theatre)

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It’s hard to imagine that it’s only been 130 years since Puccini first premiered La Boheme. Nowadays, it’s a revered classic, and guaranteed to be on any opera company's annual programme if it needs to stay afloat. It’s a crowd pleaser with its melodrama of poor, impoverished artists loving, starving and dying in Paris. But Puccini’s La Boheme had a less auspicious beginning, with one of his contemporaries accusing him of stealing his idea and being poorly received on its first outing. And that’s at the heart of That Bastard Puccini! Currently playing at Park Theatre , writer James Inverne uses the friendship and rivalry between the two composers, Puccini and Ruggero Leoncavallo, to weave a comic tale of creative frustration with an awful lot of facts and tidbits about the opera scene at the time. It’s part comedy, part music appreciation.  It opens with Leoncavallo (Alasdair Buchan) at home with his wife Berthe (Lisa-Anne Wood), cursing about Puccini’s latest work, which is drawn ...

Pulling all the stops out: Gypsy

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Gypsy has been running since April, and four months in Imelda Staunton’s performance as the mother of all stage mothers is still fascinating, exciting and exhausting to watch. It's amazing showcase in stamina, guts and determination, and that's just working with the material. Staunton previously managed to give new meaning and depth to the role of Mrs Lovett in Sweeney Todd. Here she gives a dramatic sense of determination and vulnerability to the role. And what lingers after the show is her exquisite vocals that give a velvety depth to the character. While there is an album from the show , after hearing her sing in this show I really want to hear her  sing jazz standards. Afterall she knows how to writhe every possible meaning out of a lyric.