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Showing posts with the label Siobhan O'Kelly

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A little less conversation: After Sex @Arcolatheatre

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According to research, millennials in rich countries are having sex less these days. But they were prepared to talk more about it. So, it is no surprise to see a story about what happens when a series of no-strings-attached encounters start to become attachments. And the conversations arising from it. Such is the premise of After Sex, Siofra Dromgoole’s two-hander of the conversations afterwards. It’s not particularly sexy or erotic, and the snappy pacing and short scenes sometimes make you wish they stayed longer to finish the conversation. Nevertheless, it is still a funny and, at times, bittersweet picture of single lives in the big city. It’s currently playing at the Arcola Theatre .  He is bi and works for her in an office job. She is neither ready for a commitment nor to let the office know what’s happening. He isn’t prepared to tell his mum there’s someone special in his life. He doesn’t speak to his dad, so his mum is his world. It’s a perfect relationship/arrangement. Or so it

A little more mascara: Lipstick, a fairy tale of Iran @Omnibus_Theatre

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A nightclub. A cultural exchange to Iran. Rose flavoured marzipan. A drag nightclub. An unlikely series of elements come together to tell a polished and compelling tale of oppression and freedom in Lipstick: A fairy tale of Iran. Written and directed by Sarah Chew, it’s currently playing at the Omnibus Theatre in Clapham . On a simple stage we’re introduced to Orla (Siobhan O’Kelly) and her best friend Mark (Nathan Kiley). They’re about to open a drag club night in Soho. But Orla’s just returned from a theatre residency in Iran as part of some government sponsored initiative.  And by chance she’s seen a failed revolution. A daring drag cabaret stage show in soho pales in comparison to the everyday acts of defiance she sees in Tehran.  Life in Iran seems so much more complicated than how its depicted in western media. Meanwhile life in London is not without its drawbacks either. The show uses lip syncing, drag cabaret, and fragmented memories to paint a picture of oppression