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A night at the opera: That Bastard Puccini! (Park Theatre)

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It’s hard to imagine that it’s only been 130 years since Puccini first premiered La Boheme. Nowadays, it’s a revered classic, and guaranteed to be on any opera company's annual programme if it needs to stay afloat. It’s a crowd pleaser with its melodrama of poor, impoverished artists loving, starving and dying in Paris. But Puccini’s La Boheme had a less auspicious beginning, with one of his contemporaries accusing him of stealing his idea and being poorly received on its first outing. And that’s at the heart of That Bastard Puccini! Currently playing at Park Theatre , writer James Inverne uses the friendship and rivalry between the two composers, Puccini and Ruggero Leoncavallo, to weave a comic tale of creative frustration with an awful lot of facts and tidbits about the opera scene at the time. It’s part comedy, part music appreciation.  It opens with Leoncavallo (Alasdair Buchan) at home with his wife Berthe (Lisa-Anne Wood), cursing about Puccini’s latest work, which is drawn ...

Perma-austerity: Killymuck and Box Clever @bunkertheatreuk

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The Bunker is currently presenting a double bill of what life is like for women in Britain with less opportunity. The two monologues chart growing up in different eras of inequality. But both are gripping as they mix anger, evocative storytelling and humour in equal measure. They're terrific pieces of writing with strong performances. First up is Killymuck, written by Kat Woods. Niamh (Aoife Lennon) is living on a housing estate that was the site of a paupers graveyard in 1970s Northern Ireland. Locals think the estate is cursed. But there are plenty of real-life causes to her problems. Her mum is surviving on benefits. Her dad suffers from alcoholism. Teachers at school are only too keen to discriminate, even if she is clever. And violence is never far away. There's salvation with the occasional babysitting job. Particularly with the neighbour when she's out turning tricks as she pays better than anyone. Lennon conveys the passion, anger and humour of Wood...