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Showing posts with the label Bronagh Lagan

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A night at the opera: That Bastard Puccini! (Park Theatre)

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It’s hard to imagine that it’s only been 130 years since Puccini first premiered La Boheme. Nowadays, it’s a revered classic, and guaranteed to be on any opera company's annual programme if it needs to stay afloat. It’s a crowd pleaser with its melodrama of poor, impoverished artists loving, starving and dying in Paris. But Puccini’s La Boheme had a less auspicious beginning, with one of his contemporaries accusing him of stealing his idea and being poorly received on its first outing. And that’s at the heart of That Bastard Puccini! Currently playing at Park Theatre , writer James Inverne uses the friendship and rivalry between the two composers, Puccini and Ruggero Leoncavallo, to weave a comic tale of creative frustration with an awful lot of facts and tidbits about the opera scene at the time. It’s part comedy, part music appreciation.  It opens with Leoncavallo (Alasdair Buchan) at home with his wife Berthe (Lisa-Anne Wood), cursing about Puccini’s latest work, which is drawn ...

Love in concert: Broken Wings

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Love, like new musicals can be fleeting. And tragic. Broken Wings had a short run this week at the Theatre Royal Haymarket . Semi-staged and with a nine-piece orchestra it was an opportunity to bring to life the concept album. Although given the lacklustre staging and curious lack of drama, listening to the album proves more entertaining. Written by Nadim Naaman and Dana Al Fardan, the piece is based on Lebanese poet Kahlil Gibran’s poetic (and semi-autobiographical) novel. It’s your typical boy meets girl but girl is sold to another influential family. Told through flashbacks we know from the outset that all will not end well. It opens New York City, 1923 where the older Gibran (Nadim Naaman) looks back on two decades to early 1900s Beirut. There the story begins with his return to Beirut after studying in America. As his younger self, Rob Houchen and his soaring tenor vocals are a delight to hear, even if his physical appearance makes it a struggle to see how he grows up looking like...

Cheap locker room talk: Promises Promises @swkplay

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Songs by Burt Bacharach and a great cast can't conceal the paper-thin story and an awful lot of what probably is best described today as locker room talk in Promises Promises. It's currently playing at Southwark Playhouse . It's based on Billy Wilder's film The Apartment starring Jack Lemmon and Shirley MacLaine. It's about a young man who sees a way of climbing the corporate ladder by lending out his apartment to executives for brief encounters. But in the translation from screen to stage, it feels slow and repetitive. At three hours it draws out the drama and loses the comedy with the relentless locker room talk, superfluous songs and dialogue.