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Kafka-ish: Kafka @Finborough

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In offering proof that Kafka is everything to everyone - writer-performer Jack Klaff plays various roles, including the man himself in what is a part tour, part immersion and part legend of Franz Kafka. He is a writer who achieved fame after his life was cut short due to succumbing to tuberculosis at the age of forty. He is probably better known for his reputation and the Kafkaesque style attributed to his writing than his life. But after this piece, you’re left curious to learn more about the man and his works. And that has to be the best theatrical tribute you could give a writer, even for a writer who stipulated that his works be destroyed upon his death. It’s currently playing at the Finborough Theatre . Franz Kafka was born in Prague in 1883. In 1901, he was admitted to a university and began studying law. While studying, he met Max Brod, who would become his best friend and eventual literary executor. Brod would posthumously publish many of his works and writings. Kafka’s life co

The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a

Attracting attention: Amour @charingcrossthr

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Amour is about the brief charming life of an ordinary man who discovers he can walk through walls in 1950s Paris. With music by Michael Legrand, it’s a whimsical fantasy that it’s hard to dislike. As the piece says, “There’s magic in the air” even if the lyrics translated into English bring the piece crashing back to reality. It’s having its UK professional premiere at Charing Cross Theatre . At the centre of the piece is an earnest young man Dusoleil (Gary Tushaw), who lives alone in a flat in Montmartre, dreaming about his neighbour Isabelle (Anna O’Byrne), who is married. He’s a hard worker in the civil service who gets his work done so he can write a letter to his dear mother. But one day during a power outage he discovers he can walk through walls. So he decides to put his new talents to good use to become a latter-day Robin Hood, winning the hearts of the locals and Isabelle. The lyrics become predictable that it’s tempting to play a guessing game. You just know when the l

Cunning vixens and dopes: Allegro @swkplay

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There is no time to lose in Allegro at the Southwark Playhouse . It is a whirlwind tour of a man's life from birth to mid life. But along the way there is much to admire in this early Rodgers and Hammerstein piece. Allegro was first performed in 1947 is having its professional European premiere finally in 2016. For whatever reasons it did not capture the imagination of the public at the time. Maybe it is it is because it is a character study and a none too subtle dig at city life. But perhaps with the passing of time the story has more resonance and its innovations can be appreciated.