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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p
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Streaming Through: Little Wars (A reading)

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Is it week six or seven in this national lockdown? Lockdowns have been a chance to go on long walks through central London. It's fascinating to go through the West End and see theatres advertising shows that would have been there for a fraction of the time they’ve now been. Jennifer Saunders mugging it in Blythe Spirit comes to mind. It's as if time has stopped and it's still March 2020. But going on long walks has led to missing some online theatrical events. And so it's great to see that Little Wars has returned for another two weeks on Stream Theatre.  Set in the French Alps at the home of Gertrude Stein and Alice B. Toklas (her lover). They're hosting a party that also happens to be on the evening of the German invasion. It's a fantasy party that imagines the guests being Agatha Christie, Lillian Hellman and Dorothy Parker. There's another mysterious guest who goes by the name of Mary. As the night wears on and the drink continues to flow, sparring abou
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Attracting attention: Amour @charingcrossthr

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Amour is about the brief charming life of an ordinary man who discovers he can walk through walls in 1950s Paris. With music by Michael Legrand, it’s a whimsical fantasy that it’s hard to dislike. As the piece says, “There’s magic in the air” even if the lyrics translated into English bring the piece crashing back to reality. It’s having its UK professional premiere at Charing Cross Theatre . At the centre of the piece is an earnest young man Dusoleil (Gary Tushaw), who lives alone in a flat in Montmartre, dreaming about his neighbour Isabelle (Anna O’Byrne), who is married. He’s a hard worker in the civil service who gets his work done so he can write a letter to his dear mother. But one day during a power outage he discovers he can walk through walls. So he decides to put his new talents to good use to become a latter-day Robin Hood, winning the hearts of the locals and Isabelle. The lyrics become predictable that it’s tempting to play a guessing game. You just know when the l
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Victims of circumstance: Mother Courage And Her Children @swkplay

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War is hell. War is a bitch. But everyone has to scrape by and make a living. Tony Kushner's translation of Mother Courage And Her Children was given an epic staging at the National Theatre in 2009. Here in the more intimate surroundings of Southwark Playhouse , there's less spectacle. But it's still worth a look. Particularly if you're sitting on the right side of the traverse. Brecht's piece should make you feel uncomfortable with sharp observations about capitalism, war and religion. This production just makes you feel uncomfortable. If you're sitting on the wrong side you will have to make do with either stretching your neck or imaging what's going on behind you.
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