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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Victims of circumstance: Mother Courage And Her Children @swkplay


War is hell. War is a bitch. But everyone has to scrape by and make a living. Tony Kushner's translation of Mother Courage And Her Children was given an epic staging at the National Theatre in 2009. Here in the more intimate surroundings of Southwark Playhouse, there's less spectacle. But it's still worth a look. Particularly if you're sitting on the right side of the traverse.

Brecht's piece should make you feel uncomfortable with sharp observations about capitalism, war and religion. This production just makes you feel uncomfortable. If you're sitting on the wrong side you will have to make do with either stretching your neck or imaging what's going on behind you.
Mother Courage as portrayed by Josie Lawrence seems more a victim of circumstance here. She comes across as likeable and bit funny. It is a fascinating choice to play this antihero. You begin thinking, "Well, she has to carve out a living. So what better way to do that then to travel across Europe during the Thirty Years' War selling goods to soldiers, with her children in tow?"


While this may not have been Brecht's intention, it makes the show with it's epic length watchable. Laura Checkley as the enterprising prostitute Yvette and Ben Fox as the enterprising cook also give the show life.

But this production feels more like a period piece than a critique of capitalism and war. With its awkward traverse staging things tend to just move on one end and off the other, making for long entrances and exits.

Duke Special's music works well sung by the cast, but without amplification at times feels underpowered.

Tony Kushner's angry translation first arrived during the years after the war in Iraq, which was an obvious analogy. Perhaps the timing isn't right for Mother Courage's wagon to return. For now.

Directed by Hannah Chissick, Mother Courage And Her Children is at the Southwark Playhouse until 9 December.

⭐︎⭐︎⭐︎



Photos by Scott Rylander


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