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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Breaking bread: Eating Myself @BrxHouseTheatre

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Food as a starter for conversation, making a new family, and finding a place is at the heart of Eating Myself, Pepa Duarte’s story of exploring what it is to be a woman from Peru, living in London, living with unrealistic body images. It’s having a short run at the Brixton House as part of the Housemates season, where artists take over the house throughout July. In this short piece, which has previously been online, Pepa explains how she cooks on a stovetop a Peruvian dish with beans and potatoes and a lot of added extras that, when growing up, she was never supposed to eat. It reminds her of her grandmother and brings her back to her roots. As the show progresses, the dish's aromas waft through the audience bringing to life the words in a sensory experience. And one that might make you a little hungry.  But it also is a story about diets and calorie counting. Pepa directly asks the audience if they think she is fat. It’s a direct question to the audience that sets the scene about ...

Scientific pursuits: Family Tree @BrxHouseTheatre

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Family Tree, by Mojisola Adebayo, uses the power of words to weave a story about race, inequality, health and the state of the world from the perspective of black women. It’s provocative, disturbing and methodical in depicting inequality throughout time. But it’s also a celebration of life and thriving in the face of relentless adversity. It’s currently playing at Brixton House . The guide to the story is Henrietta Lacks. Lacks was a black woman who died from cervical cancer in 1951. The hospital that treated her was the only hospital that would accept black patients in the area; it took a biopsy and collected her cells without her knowledge or consent. Scientists found that hers could be kept alive, unlike other cells that only survived for a few days. Today her cells are the oldest and most commonly used human cell line used to test the first polio vaccine, cancer treatments and covid-19 vaccines. The guide, Lacks (Aminita Francis), introduces us to a world where segregation and ineq...

Supporting local fringe: House to House @BrxHouseTheatre

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Brixton House, which formerly was known as Ovalhouse theatre, opens at its new location in Spring 2021. Meanwhile, they're taking the opportunity during lockdown to look back on some highlights from the Ovalhouse days. Called House To House , Filmed by LIVR , the 360° virtual reality theatre platform will feature their past productions. Random Selfies (4 June) from Mike Kenny, WHITE (11 June) and GREY  (18 June) from Koko Brown, and Derailed (25 June) from Little Soldier will each be available free on the Brixton House website for one week only. You can also donate to Brixton House on their website .